LMGI

Flying Down to Whitehall

Flying Down to Whitehall: Historic Locations Bring British Stories to Life  by Jim Collette “Votes for women!” The cry emanated from the Heavens, and a sudde...

South of the Border

Finding 30 locations for Roma, which received 10 Oscar nominations and won three Oscars, was an enormous challenge for Horacio Rodriguez, LMGI and his location team. ...

STRONGER TOGETHER

Stronger Together! The Power of Partnership. As seasoned location professionals working in a highly collaborative industry, the LMGI appreciates that our partner businesses are vital to our success. ...

“Location by Design” at Sundance

LMGI presented a panel discussion, "Location by Design," on January 25 at the 2019 Sundance Film Festival. The panel featured location professionals Nancy Ha...

Beyond Borders | Jack Ryan’s Location Teams

Everybody loves Jack Ryan. Since Tom Clancy introduced his CIA analyst-turned-action hero in his 1984 thriller The Hunt for Red October, film audiences have poured into theaters to watch different incarnations of Ryan. ...

First Man | Kyle Hinshaw LMGI

It takes a village to pull off getting a rocket to the moon, even a fake one. Based on the book of the same title by James R. Hansen, First Man is the story of Neil Armstrong, the first man to step foot on the moon....

Compass Winter 2019

Winter 2019 Click on image to open digital issue As we write, tucked between the American traditions of Thanksgiving and Christmas, gratitude and imaginatio...

Compass Fall 2018

There is no denial that LMGI membership truly reflects a global community of location professionals at the very top of their professional game....

The Next Generation: Luke Ford

They’re young, smart and enthusiastic about what they do. In this new occasional column, assistant location manager PAUL MESSANA, a genXer himself, talks with t...

A Sense of Place: The Job of the Location Manager

Like many departments on a film set, the locations department has duties that are a mixture of artistic and practical, a blend of orchestrating creative epiphanies and managing tedious logistics. From Filmmaker, Spring, 2018...